Correlates of preference for harmonic schema-based vs. reference-free musical improvisation in professional musicians and music therapy clients
dc.contributor.author | Masiak, Elżbieta | |
dc.date.accessioned | 2025-02-06T11:34:41Z | |
dc.date.available | 2025-02-06T11:34:41Z | |
dc.date.issued | 2025 | |
dc.description | The analysis of the results of the study has been included in the article: "Improvisation: Between Freedom and Relationship. Analysis of Preferences for Schema-Based vs. Reference-Free Musical Improvisation in Improvising Musicians from Various Socioprofessional Backgrounds" Authors: Elżbieta Masiak, Alan Turry | |
dc.description.abstract | The purpose of the study was to analyze preferences for different types of musical improvisation: improvisation based on a pre-composed schema or structure (i.e., harmonic progressions, melodic/rhythmic motifs, or other non-musical patterns) and free improvisation (defined as spontaneous playing without any prior assumptions or patterns to lean on). Additionally, the study examined the sociocultural, motivational, and meaning-related correlates of these preferences, as well as their connection to individual identity and self-perception among contemporary improvising musicians from diverse international socioprofessional backgrounds. The study was conducted through an online survey consisting of both closed and open-ended questions. It included 38 improvising musicians from 11 nationalities. The findings suggest that most participants value both types of improvisation equally or display a degree of ambivalence, while a distinct preference for either schema-based or free improvisation is less common. Notably, those with strong preferences for one approach over the other differ in their conceptualization and interpretation of improvisation. | |
dc.description.sponsorship | National Science Centre, Poland, MINIATURA 7, No. 2023/07/X/HS6/00259, Title: "Correlates of preference for harmonic schema-based vs. reference-free musical improvisation in professional musicians and music therapy clients". | |
dc.identifier.uri | https://hdl.handle.net/20.500.12153/8297 | |
dc.language.iso | en | |
dc.language.iso | pl | |
dc.rights | Attribution 4.0 International | en |
dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | |
dc.subject | musical improvisation | |
dc.subject | schema-based improvisation | |
dc.subject | reference-free improvisation | |
dc.subject | self-perception | |
dc.subject | music therapy | |
dc.title | Correlates of preference for harmonic schema-based vs. reference-free musical improvisation in professional musicians and music therapy clients | |
dc.type | Dataset |
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