Les croisements romantiques des sens: Liszt lecteur de Senancour
Loading...
Date
2014
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Oficyna Wydawnicza Atut, Wrocławskie Wydawnictwo Oświatowe
Abstract
In the following paper I present certain aesthetic ideas from one of the best-known Senancour’s novel – Obermann (1804) which was one of the most important lectures of Franz Liszt during his formative years. Senancour appears in Liszt’s correspondence both as an admired person and as a writer. Liszt often quoted and commented on fragments of Obermann in his letters and writings, and in his musical works. The latter one is most interesting because Liszt created a new genre of music – “a poetic music” which is inspired by poetry and preceded by a literary quotation. I show Senancour’s influence on Liszt’s writings, and particularly on his music on the example of Vallée d’Obermann and Le mal du pays.
Description
Keywords
Senancour, Obermann, Liszt, Vallée d’Obermann, Le mal du pays, musique poétique, poetic music
Citation
„Orbis Linguarum”, 2014, Vol. 41, s. 215-226